La chaise "La Girondine" est directement inspirée des différents savoir-faire liés à son matériau principal de composition, le châtaignier.
Elle est constituée de perches fendues, de bois massif usiné et reprend des techniques d'assemblage de charpenterie. Alliance de bois et d'élastiques colorés, cette chaise a pour vocation d'évoluer autant dedans que dehors, le chataignier ayant une grande résistance aux intempéries. Cet objet pourra vieillir et se patiner ou au contraire changer d'enveloppe au gré des envies.
The chair "La Girondine" is directly inspired by the different know-how around its main material of composition: the chestnut. Carpentry, woodworking, basketry. It is made of split poles, machined solid wood and resumes assembly techniques of carpentry and cabinetmaking classic. Combination of wood anf twisted colored straps, this chair aims to evolve as much inside as outside, the chestnut allowing ease of use this as having a high resistance to weathering .
This object should be to mature and acquire a patina or on the contrary,the seat could be change as feels come.
Elle est constituée de perches fendues, de bois massif usiné et reprend des techniques d'assemblage de charpenterie. Alliance de bois et d'élastiques colorés, cette chaise a pour vocation d'évoluer autant dedans que dehors, le chataignier ayant une grande résistance aux intempéries. Cet objet pourra vieillir et se patiner ou au contraire changer d'enveloppe au gré des envies.
The chair "La Girondine" is directly inspired by the different know-how around its main material of composition: the chestnut. Carpentry, woodworking, basketry. It is made of split poles, machined solid wood and resumes assembly techniques of carpentry and cabinetmaking classic. Combination of wood anf twisted colored straps, this chair aims to evolve as much inside as outside, the chestnut allowing ease of use this as having a high resistance to weathering .
This object should be to mature and acquire a patina or on the contrary,the seat could be change as feels come.
